Информация о пластинке:
Название: New
Исполнитель: Paul McCartney
Жанр: Rock, Electronic
Год выпуска: 2013
Количество композиций: 13
Количество пластинок: 1
Фирма: MPL Communications, Hear Music (Made in EU)
Номер по каталогу: 888072348486, HRM-34848-01
Информация о файле с оцифровкой:
Формат: flac + wavpack
Качество: lossless 16 bit/44.1 kHz + lossless 32 bit float/96 kHz
Размер файла: 331 Мб + 1,29 Гб (3% на восстановление)
Предпрослушка: mp3 cbr 320 kbps
Список композиций:
01. Save Us
02. Alligator
03. On My Way To Work
04. Queenie Eye
05. Early Days
06. New
07. Appreciate
08. Everybody Out There
09. Hosanna
10. I Can Bet
11. Looking At Her
12. Road
13. Scared (Hidden Track)
Музыканты:
Paul McCartney – vocals, guitars, lap steel guitar, bass guitar, bouzouki, piano, glockenspiel, harpsichord, Wurlitzer, keyboards, mellotron, percussion, synthesizers, harmonium, celesta, drums, tape loops
Rusty Anderson – guitars on tracks 2, 3, 5–8, 10, 11, backing vocals, bouzouki on track 6
Paul Epworth – drums, production on tracks 1, 4, 12, 15
Ethan Johns - drums, percussion, production on track 5, production on tracks 9, 13
Abe Laboriel, Jr. – drums on tracks 2, 6–8, backing vocals on tracks 5–7
Steve McManus – bass guitar on tracks 3, 8
Toby Pitman – keyboards on track 11, programming on tracks 3, 7, 8, 10, 11
Richard Pryce – bass guitar on tracks 3, 8
Brian Ray – guitars on tracks 2, 3, 5–8, dulcimer[disambiguation needed] on track 5, backing vocals on tracks 6, 7
Paul Wickens – keyboards on track 2, guitar, piano, accordion on track 3, Hammond organ on track 10
New («Новый») — 16-й студийный альбом сэра Пола Маккартни. Альбом записывался с совершенно новыми музыкальными продюсерами. Отчасти это стало поводом назвать альбом «New».
Так же рекомендую прочитать полную рецензию на этот альбом здесь.
Внимание! У Вас нет прав для просмотра скрытого текста.
[media=http://youtu.be/BkbbP0ozyMs]
[media=http://youtu.be/5CfLUmVso30]
[media=http://youtu.be/2vrAlhzkuag]
At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles. Five decades into his career, reinvention isn't expected from McCartney, so the shock arrives in the avenues Paul chooses to follow and, here, he's enthusiastically embracing modernism and pop art. He brings in Mark Ronson, the producer best-known for hits by Amy Winehouse and Lily Allen, to add a bit of modern snazz, but sharp guy that he is, McCartney knows that contemporary pop albums are created by a fleet of producers, so Paul Epworth, a collaborator of Adele, Foster the People, and Florence & the Machine, is hired along with Ethan Johns (a veteran of Kings of Leon and Laura Marling) and Giles Martin (the son of Beatles producer George Martin), each enlisted to give New a crisp, clean sheen. There are a lot of cooks in the kitchen but the chef is undoubtedly McCartney, with every song -- from the kaleidoscopic title track to the delicate folk of "Hosanna" and the pounding, overstuffed "I Can Bet" -- bearing his unmistakable stamp. From the moment it opens with the insistent, propulsive "Save Us," this is a bright, vivid pop album, robust with color and so confident in its swagger that its assurance is almost distracting. Macca is determined to dazzle: not only are the melodies bold but the production is over-saturated so his pop pops in a way it hasn't in years, not since the days when a Top 40 single was a genuine possibility. Paul isn't chasing a hit single but rather embracing pop as a vital, vivacious life force, which makes the presence of "Early Days" all the more baffling. A stark acoustic recounting of the dawn of the Beatles, McCartney seems uncharacteristically defensive here as he wonders how anybody who wasn't in Hamburg could possibly tell tales of the Fab's origins, strangely tone-deaf to how he and his band have turned into myth. But that unwillingness to accept his role in history books also gives New its nerve, letting McCartney create music that is thoroughly within his lineage but cleverly modern, eschewing nostalgia for a vibrant present. That's why New is one of the best of McCartney's latter-day records: it is aware of his legacy but not beholden to it even as it builds upon it.
allmusic
- Источник оцифровки: автор новости (plastinka/nickhome)
- Класс состояния винила: Mint
- Устройство воспроизведения: Электроника ЭП-017С
- Картридж: Audio-Technica AT440MLa
- Предварительный усилитель: Самодельный ламповый v2.00
- АЦП: ESI Julia
- Обработка: ручное удаление щелчков
- Формат записи (Bit/kHz): 32 float/96
Внимание! У Вас нет прав для просмотра скрытого текста.
Сканы буклета добавлю чуть позже!
Скачать lossless 16-44 (331 Мб):
Пароль к архиву: plastinka.org
Внимание! У Вас нет прав для просмотра скрытого текста.
Скачать lossless 32-96 (1,29 Гб):
Пароль к архиву: plastinka.org
Внимание! У Вас нет прав для просмотра скрытого текста.
Посетители, находящиеся в группе Гость, не могут оставлять комментарии к данной публикации.