Genesis - Trespass (1970)

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Trespass is the second studio album by Genesis and was recorded and released in 1970. Their last with guitarist Anthony Phillips, Trespass had a folk-flavoured progressive rock sound that was a marked departure from their earlier work.
The compositions were generally much longer and more complex than those on Genesis's first album, and the recordings have a muted, pastoral sound. The band was unhappy with John Mayhew's drumming skills and replaced him with Phil Collins following Anthony Phillips's departure.
Trespass was the first of several Genesis albums to be recorded at London's Trident Studios. Although the album was not a commercial success in the UK (it eventually reached No.98 for one week in 1984), it was a critical one[citation needed] despite its lack of sales. However, the album fared much better in Belgium, where it reached No. 1, leading to the band's first overseas concerts in that country in March of 1971.
After a year of Genesis playing shows almost nightly during 1969 and 1970 since the band left Decca, Tony Stratton-Smith approached Genesis and signed the band to Charisma. By mid-1970, Genesis had written and performed enough songs to fill over two full-length albums. The songs that the band felt were not strong enough to fit on Trespass, such as "Everywhere is Here," "Grandma," "Little Leaf," "Going out to Get You," "Shepherd," "Moss," "Let Us Now Make Love," and "Pacidy," were discarded by the time lead guitarist Anthony Phillips left the band.
Though most of Genesis's songs were composed by the group as a whole, in a 1985 interview Mike Rutherford said that Trespass was the only Genesis album where every single song was composed by all the band members equally; every other album by Genesis had at least a few songs which were chiefly written by one or two individuals, with only minor contributions at most from the rest of the band.
respass was largely ignored by the music press at the time of its release. Rolling Stone printed an extremely brief but unambiguously negative review of the 1974 reissue, saying "It's spotty, poorly defined, at times innately boring, and should be avoided by all but the most rabid Genesis fans." Allmusic's later retrospective review was only slightly more forgiving, summarizing that the album "is more interesting for what it points toward than what it actually does." They also commented that the guitars are so low in the mix that they are almost inaudible, leaving Banks's keyboard instruments to prominence. They considered this troublesome because Banks having a noticeable role "isn't the Genesis that everyone came to know."

- Источник оцифровки: автор новости
- Класс состояния винила: EX-
- Устройство воспроизведения: Электроника ЭП-017С
- Картридж: Audio-Technica AT440MLa
- Предварительный усилитель: Самодельный ламповый
- АЦП: ESI Julia
- Обработка: ручное удаление щелчков, тишина в паузах
- Формат записи (Bit/kHz): 32 float/96

Acoustic Guitar [12 String], Bass [Electric 12-string], Cello, Backing Vocals, Guitar [Nylon] – Michael Rutherford*
Acoustic Guitar [12 String], Guitar [Lead Electric], Dulcimer, Backing Vocals – Anthony Phillips
Arranged By, Composed By – Genesis
Artwork By – Paul Whitehead
Drums, Percussion, Backing Vocals – John Mayhew
Engineer – Robin Cable*
Lead Vocals, Flute, Accordion, Tambourine, Bass Drum – Peter Gabriel
Organ, Piano, Mellotron, Guitar, Backing Vocals – Anthony Banks*
Producer – John Anthony (2)